Audio Separation for Film, Television, and Broadcast
Separate dialogue, music, and effects from any track
From isolating dialogue for dubbing and localization to separating music and effects for re-versioning and compliance — each model covers a specific audio separation workflow in film and television production.
Isolates spoken dialogue from complex mixed audio. Handles noisy on-location recordings, crowd environments, and mixed broadcast content where speech clarity is the priority.
Dialogue RT delivers 11ms latency for live broadcast workflows — built for live sports, news, commentary, transcription, and real-time speech applications.
Read more about Dialogue RT →Detects and removes licensed music from mixed content to resolve copyright compliance issues. Used by broadcasters and post teams working with archive or UGC content.
Separates individual speakers from recordings with multiple overlapping voices. Used for interview content, unscripted television, and any production where speaker-level control matters.
Isolates the sound effects stem from finished content. Used for re-versioning, sound design reference, and effects-track reconstruction from locked mixes where the original session is unavailable.
Isolates the music stem from a fully mixed track. Used for score extraction, sync licensing prep, and music-specific compliance workflows where only the music layer is needed.
Who uses these models
How to use AudioShake's Film & TV models
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